Another Spiral - -
Music
Thumbnail Sketch of Western Musical History
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Dates
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Key
Genres, Events, Styles
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Major
Figures
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| 300 - 500 ad | Collapse of Roman Empire; Influences from North & East (barbarians, Byzantium). | St. Ambrose (bishop of Milan, Introduces antiphonal psalmody) |
| ca. 590 - 640 ad | Liturgical reform | Pope Gregory I |
| ca. 800-1100ad | Plainchant (one part). Liturgical/sacred traditions | Anonymous Gradual "Viderunt Omnes" |
| 1100s | Polyphony (multiple parts) | Leonin Organum above cantus firmus based on "Viderunt Omnes" |
| 1200s | more complex polyphony; infusion of secular traditions | Perotin. Four-part organum "Viderunt Omnes" |
| 1300s | ARS NOVA - motet (song) | Machaut |
| 1400s | Diffusion of motet forms throughout Europe | Obrecht, Ockeghem, Josquin du Prez. |
| 1500s | dense polyphony - emergence of instrumental ensembles | Palestrina; |
| 1600s | NUOVA MUSICAE - Opera. Beginning of Baroque period. | Monteverdi; Schutz |
| 1700s | Baroque period. Sonata, Concerto. | Purcell;Scarlatti; Vivaldi Bach (passage from 6th Brandenburg Concerto) Handel; |
| 1750s | Transition to Classical Period; Symphony & other instrumental forms crystalized. | CPE Bach, Couperin; Haydn, Mozart, Early Beethoven (First Viennese School) |
| 1800s | Early Romantic Era - extended forms, programatic work(literature, narrative) | Beethoven, Berlioz, Schumann, Liszt |
| 1850s | High Romantic Era - ditto |
Wagner (Operas) (Gesamtkunstwerk); Brahms (no operas) |
| 1885 - 1910 | Late Romantic - Add Nationalism, stretching/expanding tonality to its most extreme | Richard Strauss, Mahler (passage from Symphony #10 (1910; unfinished); Sibelius, Dvorak; Charles Ives (passage from "The Unanswered Question", written between 1906 and 1914) |
| 1890s-1918 |
"Impressionism" - non-functional harmonies; non-Western influences.
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Debussy (Ravel) |
| 1909-20s |
New Music - 20th Century Music arrives;
Ballets Russes - Serge Diaghilev:
Recordings: rise of Dixieland, Ragtime, early Jazz.
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Stravinsky (passage from Petrushka, 1911),Ravel, Debussy, Satie
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| 1920s |
Second Viennese School
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Schoenberg (from Variations for Orchestra (1932) serial work), Webern (from 5 Movements for String Quartet, 1909; atonal work), Berg (from Altenberg Lieder, early atonal work); |
| Late 20s | First Experiments with Recorded Sound & Musique Concrete |
Edgard Varese; Pierre Schaffer |
| 1930s |
Music for Film.
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Eric Wolfgang Korngold. Bernard Hermann (from Suite from Psycho for the film by A. Hitchcock). |
| 1940s |
Influx of Major European Figures to America - Stravinsky, Schoenberg move to LA; Bartok (NYC).
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Post
WWII (1946-1955)
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Darmstadt.
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Berio,
Stockhausen, Boulez
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| Late 50s |
Happenings, Aleatory, Electronics, Sound Mass
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Cage (passage from Concerto for Piano) |
| 60s |
Fluxus Movement Pop Music Incorporates Electronics, Etc.
Moog Synthesizer Invented
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Cage (Nam June Paik )
Gaburo
Ravi Shankar (passage of vocalization and drumming by Shankar's drummer, Alla Rakah) |
| Early 70s |
More Fusion of Electronic & Pop
More Experimentation & Expansion
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Conlon Nancarrow (Player Piano Etude #1, 1949) |
| Late 70s |
Minimalism
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Glass, Reich, John Adams, Terry Reily
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| 80s |
MIDI protocol invented Further Fusion of Music & Image: MTV.
Music in Performance Art and Multimedia
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| 90s |
Digital Directions
Music & Media
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